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2012, February 10
Encountering Data, Staller Center Recital Hall, Stony Brook University
Stony Brook, New York
w/ performances and works by: The Art of Failure, Carr Wilkerson, Iannis Xenakis, Jorge Herrera, Luke Dahl, Margaret Schedel, Mark Ballora, Sarah O’Halloran, Stephanos Thomopoulos, Timothy Vallier
2012, February 3
Studio Soto
Boston, Massachusetts…
Recorded March 30, 2011.
This documentation serves to demonstrate the interaction possible with the first version of this system exhibited February 24 – March 20, 2011 as part of the RISD Faculty Biennial.
In this work I explore co-channel radio interference and the interpretation of the resulting impaired audio signals …
Endolith is the current phase of my investigations into graphic synthesis, incorporating my recent developments in graphic waveshaping. The computer program, realized in Max/MSP/Jitter allows the performer to navigate pixel rows of a live camera input (a USB microscope, the Bodelin ProScope HR) while color and luminance data is gathered …
Live at the SweatShop in Providence, Rhode Island on March 23, 2009. The work performed here is called Odization.…
Live on April 5, 2009.
Odiccasions is a sound performance utilizing a 20-channel speaker array and light frequency sonification. This work is a synthesis of my pieces Occasions and Odization. 20 speakers (5-inch woofers mounted in wood boxes) are distributed around the gallery space on the floor, facing up. As …
(above) live at Brown University on April 2, 2008
Augur is a computer-centered, sonic performance system. In Augur, I have developed techniques that center on the action of drawing as a performance gesture in conjunction with methods for generating digital sound from graphic patterns stored within the computer. The action …
Indifference is a sound installation utilizing an eight-channel, narrow-band, speaker array of 5-inch, directional PA horns. The speakers are mounted on stands, allowing for easy adjustment of the speakers such that sound projection and reflection can be tuned for each space in which it is presented. Noise sources in the …